Pedal contact assemblies or reed switches?

I’ve just noticed that the first anniversary (1st September) of this blog slipped by unannounced.  I shall celebrate with a cup of tea.

Because I had nothing better to do this evening, I decided to have a look at the pedalboard.  This is, strictly speaking, out of order since the keyboards and pistons are not yet finished.  However, a conversation with a midi hardware supplier (probably the one I’m going to buy stuff from) prompted me to get out the screwdriver for a naughty peek.

Whereas most Wyvern hardware I have seen – especially the older stuff – has all the hallmarks of being made by craftsmen, the workmanship of the pedalboard is, I suppose, best described as ‘functional’.  This, coupled with the fact that the pedalboard is ever-so-slightly too small to fit neatly under the console, suggests to me that t is not part of the original console build.  There’s nothing wrong with it, it’s just not pretty.

So, the pedals make noises via the medium of 3-wire contact assemblies, which are very badly tarnished, and a couple of them are obviously damaged.  I could spend a lot of time laboriously cleaning each wire, and then replace the damaged ones, having tried not to damage any more in the cleaning process.  Or I could spend about £50 and put in reed switches in about the same length of time.

With such weighty decisions is my mind burdened this evening.  The dogs are no help at all.  I tried to engage in a spirited discussion of the relative merits of each system, but Betty started cleaning herself and Mia stared vacantly at me while drooling on the sofa.  Drools a lot, does our Mia.

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